[identity profile] littlerdog.livejournal.com
Am now reading Carmen Dog by Carol Emshwiller. I feel grateful that I've read her work before, otherwise I suspect I'd be entirely lost. At sea. Drowning. It's not an easy story. Although Joanna Russ is harder.

Seems funny that the day after starting Carmen Dog I should be reading about the idea of 'anti-sf', ie, presumably, sf that is entirely opposed to the way someone thinks sf must be done if it's to qualify for the name. I suspect Carmen Dog epitomises anti-sf, insofar as I understand what that's meant to be anyway.

It's not "rationally knowable" for women to turn into animals, and animals into women. No two ways about that.

It's sf as critique, sf as a way of making you think, sf that may not have an idea for a hero, but sf that is littered with ideas all the same. It's also plain weird.
[identity profile] littlerdog.livejournal.com
Now I'm reading Insurgent, the sequel to Divergent by Veronica Roth. She takes no prisoners, this one. There's no recap at the beginning; Insurgent starts where Divergent leaves off, and tough luck if you can't remember immediately who's who.

It's a bit of a bewildering read so far, with the characters trying to find a refuge and flailing around with no fixed goals. Feels a bit repetitive at times. Lots of hidden agendas, too.
[identity profile] littlerdog.livejournal.com
Am currently reading Ancillary Justice by Ann Leckie. This has to be the most recent SF book I've read in years. It was only published in October 2013. Not even a year old! Heavens.

The book came to my attention when it was winning awards. That's not necessarily a reason why I'd buy something, but hey, sometimes I can make an exception. I'm enjoying it so far, especially the confusion the narrator experiences over identifying the sex of other characters. This keeps you off-balance, making it very difficult for you to assign gender roles to anyone. I'm not even sure of the narrator's sex. Leckie makes this work very well; I can see however how it could be simply annoying in other hands. Here, it enriches the experience of the POV of a narrator whose own humanity is at best questionable.
[identity profile] littlerdog.livejournal.com
After being harrowed by the SOE book, I decided on something a little lighter: The Ragged World by Judith Moffett, which is a fixup novel. Currently, one of the characters is entering a highly radioactive zone in order to end his life because he cannot deal with the death of his best friend. Lighter, indeed.
[identity profile] littlerdog.livejournal.com
Arrived in the post today, Dreaming in Smoke by Tricia Sullivan, another from the Mistressworks list. Interestingly, while perusing the MW wishlist, I realised that another of the books I bought at the weekend, James Tiptree, Jr.'s Ten Thousand Light-Years From Home, is also on the list. So that's one more MW book than I thought I had! Shall definitely have to keep visiting that sff bookstall.
[identity profile] littlerdog.livejournal.com
Saturday was a gala book day. We went into a local town that has a Waterstones and the sff secondhand bookstall I found earlier in the month and I bought lots of books. From Waterstones, from the sff stall, from another more generalised stall, and from the charity shops. Finds included a book from the Mistressworks wishlist for less than £1. Yay!

In Waterstones, I patrolled the Science Fiction shelves looking for books by women and not finding many. Finally I picked up Insurgent, the sequel to Divergent, by Veronica Roth. Then I wandered over to the history section looking for Michael Foot's history of SOE, which was mentioned a few times in the book about Vera Atkins and SOE I've been reading recently. In particular, Miss Atkins herself was quoted as describing it as being 'as accurate as the Bible'. But I thought to myself, it won't be there anyway. What are the chances? But there it was, in a shiny Bodley Head edition, just republished this year.

It was £18.99. Ouch. But I was able to fill my stampy card and get £10 off. Phew. Funny how that works, though--you buy twenty pounds worth of books to get the last two stamps on the card, then pay off £10 with the card, so you haven't ACTUALLY paid for the twenty-pounds worth that justified you having the two stamps in the first place.

Ouch again. Moving on from existential financial analysis, these are the books:

SOE: 1940-1946 by M.R.D. (Michael) Foot;
Insurgent by Veronica Roth;
Ice! by Tristan Jones;
Empire of Blue Water by Stephan Talty;
Mutiny!! Aboard H.M. Armed Transport 'Bounty' in 1789 by R.M. Bowker and Lt. William Bligh;
Wayward Women: A Guide to Women Travellers by Jane Robinson;
The Journal of Nicholas the American by Leigh Kennedy (from Mistressworks wishlist);
The Aliens Among Us by James White;
Telepathist by John Brunner (probably already have a copy but 224 miles away);
Ten Thousand Light-Years from Home by James Tiptree, Jr. (Alice Sheldon)
and
Yonnondio by Tillie Olsen.

I also bought a non-fiction book from a charity shop but on arriving home I realised a) I already had it and b) it wasn't any good. So that's going straight in the croc box for recycling to another charity shop.

Also when I got home I discovered a proof had arrived from Random House: The Murder Bag by Tony Parsons. What a great thing to come home to--a free book!
[identity profile] littlerdog.livejournal.com
Just made a start on A Life in Secrets: The Story of Vera Atkins and the Lost Agents of SOE by Sarah Helm. Promises to be intriguing.
[identity profile] littlerdog.livejournal.com
Benefits, Carmen Dog and Catseye arrived today. The first is published by Virago, the second by The Women's Press and the third by Puffin.

Shame they didn't arrive yesterday, as I've already embarked on a reread of Mansfield Park. Couldn't find Persuasion. It needed my dad to persuade it out of hiding. Ahem.
[identity profile] littlerdog.livejournal.com
In the course of reading Stanley Milgram's Obedience to Authority, of which more anon, I ran across a reference to Eichmann in Jerusalem: A Report on the Banality of Evil by Hannah Arendt. And it occurred to me that it might be an interesting book to read. Especially as it was, apparently, controversial when it first appeared.

Therefore, I decided to order a copy and so wandered off to The Hive, which delivers purchases to my local bookshop and gives them a share of the purchase price, too. With luck I will have it shortly.

While ordering, I decided I might buy a book from the Mistressworks list as well, as part of my, ahem, ongoing attempt to read those books. But the first one I found, Angel at Apogee, was a POD book costing £9.99. Considering that fiction in paperback usually costs £7.99--even for big fat books like Divergent--this was something of a stumbling block. Eventually I may end up having to pay it, but I wasn't prepared to pay it today. Although I have paid far more ridiculous prices to complete my PKD collection. Not however prices of the order of ~£130, which is what I'd have to pay to get Margaret St. Clair's Agent of the Unknown, it seems. In paperback, too. And not, so far as I could see, gold-plated. Not going there today either. Nope.

I went over to good old Awesome Books and had a look at what they might have secondhand from the MWorks list. There, I picked up three for under £8 from their Bargain Bin, with free delivery. Awesome indeed.

So, in addition to the Eichmann, I'm expecting the following:

Benefits by Zoe Fairbairns;
Carmen Dog by Carol Emshwiller
and
Catseye by Andre Norton.
[identity profile] littlerdog.livejournal.com
Am tired and hot and hot and tired so this will be a perfunctory list from today's trawl of Waterstones and charity shops and the newly-discovered (by me) stall that sells secondhand SFF. Oh yeah!

I only managed to buy one book I already have. Ahem. It will not be listed.

Waterstones:

Ancillary Justice by Ann Leckie (yes, the book everyone's talking about; so sue me);
Race for the South Pole by Roland Huntford (a comparison of the diaries of Scott and Amundsen)
and
The Invisible Woman by Claire Tomalin.

At some point, you have to stop picking up books in Waterstones. That point is usually when you see the look on your husband's face.

Secondhand SFF stall:

(It was here that the mistake was made)

World's End by Joan D. Vinge;
The Byworlder by Poul Anderson;
Hellflower by George O. Smith;
The Palace of Eternity by Bob Shaw;
The Face in the Abyss by A. Merritt;
The Ragged World by Judith Moffett
and
Farthing by Jo Walton (not actually SFF).

Oh how I have missed picking up cheap secondhand paperbacks en masse and taking them home to try out new-to-me authors. Or finding another book by an author I love. Sigh.

The look on the guy's face when I handed him my treasures was delight. I'm guessing not many people wander in and buy a third of the stock.

Other secondhand book stall:

Xingu: The Indians, Their Myths by Orlando and Claudio Villas Boas
and
The Vinland Sagas: The Norse Discovery of America, translated by Magnus Magnusson and Hermann Palsson.

Charity shops:

Nobody's Child by Kate Adie
and
Extra Titanic: The Story of the Disaster in the Newspapers of the Day, from the collections of Eric Caren and Steve Goldman.

Really wanted to send that last one to Monissa, but it's Big and Heavy. So I guess it stays here until she comes visit.
[identity profile] littlerdog.livejournal.com
I finished The Falling Woman with a deep sense of satisfaction. It's a different book, maybe offbeat would be the word? Not quirky. Quirky is the wrong word. If I say it's a woman's book, that's not right, either. It's not a book only a woman could write, but possibly it's a book more like the one a woman would write. Anyway, I really enjoyed it.

I think for me what stands out in the books I prefer tends to be compassion. Compassion of the author for her characters, however flawed. And there's certainly compassion in this book. We could easily hate Elizabeth Butler for abandoning her daughter, but we don't. She's drawn too fully for such a simplistic response. We can still think what she did was wrong--although surely her husband committed the greater wrong--but we understand what happened and why she acted as she did. There are no cardboard cut-out villains among the women. Maybe Marcos is a bit of a cipher, or maybe a cliche, but I think that's possibly because we're not used to women seeing through such men, or using them just as they like to use. He has one version of events but hers is another, different, not sad or desperate but something close to that yet more empowered.

Definitely worth a read. I'm undecided whether it's SF or Fantasy but I'm sticking the SF label on it for now.
[identity profile] littlerdog.livejournal.com
We went to Waterstones (again!) and then the cinema. Haven't been to the cinema in years--I think the last film we saw was the piss-poor Edge of Darkness. Not to be confused with the fantastic tv series Edge of Darkness. No.

In Waterstones I secured:

Sarah Canary by Karen Joy Fowler;
Arslan by M.J. Engh
and
Longbourne by Jo Baker (a present from husband who saw one of his students reading it).

After seeing and much enjoying Divergent at the cinema yesterday, we picked up Veronica Roth's novel in Asda today. Actually, we each independently picked up a copy, so one had to be put back.

In Waterstones I used all my loyalty points to help pay for the books, and got two more stamps on my stampy card. Time to start saving again.
[identity profile] littlerdog.livejournal.com
I finished Nicola Griffith's Slow River then read The Fox Boy by Peter Walker.

Slow River was a strong book that lost its way towards the end. In the tide-turning scene where the water treatment plant is sabotaged and Lore has to save lives, she was so competent and in control that there was never any doubt she'd succeed. So, no tension, no drama, just a win that felt inevitable and weak. She could really have done with a bigger threat, to make a mistake, or to overcome an inner struggle. Not just walk all over the problem.

Generally, the ending of the book felt disappointingly weak. It could probably have done with one more edit from the author or perhaps a development edit by an editor. Something to beef it up. The book Griffith started to write and the intriguing characters she created deserved better.

Worth a read, though, despite its problems. There's life in the characters and the world they inhabit is plausible yet has just that touch of unfamiliarity.

The Fox Boy (I just tried to type Box Foy, but hey, it's a new laptop and the keys are tooclosetogether for me) is a non-fiction account of a Maori boy kidnapped by other Maoris, then re-kidnapped by white settlers in New Zealand. It's an odd little book, a mixture of the Fox Boy's story, Walker's experiences while researching his story, and a more general account of how the Maoris narrowly avoided the war of extermination many settlers were anxious for. A lovely, readable, compassionate book.
[identity profile] littlerdog.livejournal.com
Lately I've been reading Pat Murphy's The Falling Woman, which was one of the books I bagged on a recent visit to Waterstones. It's told from two different first-person POVs. The first is archaeologist Elizabeth Butler, who's currently working on a dig at a Mayan site, and has the ability to see into the past at twilight. The second POV is Elizabeth's estranged daughter, Diane, who's come in the hope of establishing a relationship with the mother who gave her up to her father's care years before.

So far, this is a very interesting book that focus on the relationship between mother and daughter and their different relationships with the past. Diane wants to understand their own past but Elizabeth is interested in the Mayans she sees living their lives around her, and even more so in the Falling Woman of the title, Zuhuy-kak, a Mayan woman who was sacrificed in a cenote but survived to bring the messages of the gods back to her people. Never before has one of Elizabeth's ghosts interacted with her.

At the same time, it appears possible that Diane has inherited her mother's ability to catch glimpses of the distant past.

There were some points at the beginning of this book--always a tricky time--where I was disappointed. For example, when Elizabeth first meets Zuhuy-kak, there seems to be too much luck in Elizabeth's ability to answer the tests Zuhuy-kak sets her. One lucky guess I could tolerate, but two in succession felt forced. Yet that's such a small complaint. Beginnings are hard; it's often there that the reader's willingness to suspend disbelief is tested.

Am looking forward to finding out what happens next.
[identity profile] littlerdog.livejournal.com
Husband came home with Out of the Dolls House: The Story of Women in the Twentieth Century by Angela Holdsworth. Looks like the charity shop might have been trying to get rid of it, as it's marked down from £4 to £2. A book I've heard of but never seen around before. Nice.
[identity profile] littlerdog.livejournal.com
I was looking for something in the bedroom when I uncovered a little pile of books that had been buried under some upcycling. Two were by Diana Wynne Jones: The Spellcoats and The Crown of Dalemark. I devoured the first book, thoroughly drawn into the first person narrative and intrigued by the Undying and the weaving of spells and stories into cloth. The second book went more slowly, as I found the third person narrative less engaging, but it was almost as fun as the first one.

One observation I made to myself as I went along is that it takes either a heck of a lot of effort, or a great deal of skill, or perhaps both, to write stories that read so effortlessly.

Apparently these are books #3 and #4 in a series. Ooops. But maybe the first two books will show up in a charity shop someday soon :D. And who needs what I was originally looking for when there are BOOKS?
[identity profile] littlerdog.livejournal.com
The book du jour is Nicola Griffith's Slow River, recently re-released in a smart Gollancz Masterworks edition. After being kidnapped and publicly humiliated, courtesy of the internet, Lore begins a new life with the mysterious Spanner. In a parallel narrative, Lore begins a new new life without Spanner, working at a water treatment plant where she becomes increasingly concerned about the short-handedness and the lack of attention to safety procedures. The reader is also given little 'dips' into Lore's childhood as the youngest child of a rich family of business people.

The narrative switches not only between time and place but also between POV and tense; sometimes it's first person and past tense, sometimes it's third person and present tense. It's an elegant conceit that serves to underline the idea that Lore is different people at different times, to emphasise her frequent changes of identity, but it also serves to make the narrative choppy, to make it harder for at least this reader to sustain continuous engagement with the story. Swings and roundabouts.

Definitely enjoying the book, but now we've hit an infodump where Lore is explaining to a new treatment plant employee exactly how everything works, and it's slowed down accordingly. Daresay it's just a minor bump in an otherwise entertaining journey.
[identity profile] littlerdog.livejournal.com
Not much of a haul lately. One book from the Co-op and three from the local town we visited today. It doesn't have as many charity shops as the other local town we frequent, so there were fewer opportunities. And, overall, far fewer books. I guess they don't read as much there.

The town was pretty dead anyway. Husband commented on the difference between the number of vehicles on the road (large) and the number of people in the streets (small). Plus, although it was mid-afternoon on a Saturday, many shops were shut. Not symptomatic of a thriving metropolis.

I won't list one of the books here, as it may be going out again as a present, but these are the others, with the Co-op book first:

The Gladys Society: A Personal American Journey by Sandi Toksvig;
Keeping It Real by Justina Robson
and
Explorers: A History in Photographs by Richard Sale (large letters) and Madeleine Lewis (small letters). Reduced to a wimpy £3.99.

How great it would have been if photography had been invented much earlier.

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